“A stunning work that exemplifies the kind of stories we need to read and write about in the Arab world.”
— The New Arab
“By allowing the arc of ordinary lives importance over an act of revolution, Rafei elevates her characters and gives their intentions a sense of gravity. Spring is an impressive debut novel that combines the urgency of literary fiction with the timelessness of historical fiction.’”
— Shelf Awareness
“Spring is the all too timely tale of a world come rapidly and irreversibly undone. Set against the tumultuous backdrop of the Arab Spring, Rafei’s elegant and unsparing debut novel of family and revolution is as essential as it is breathtaking.”
— Hannah Lillith Assadi, author of Sonora and The Stars Are Not Yet Bells
“Spring tells the captivating tale of a family caught in the midst of a revolution that will profoundly change their relationship both to their country and to each other ... From the traveling American who demonstrates on Cairo’s streets to the doting mother whose lemon grove thrives even as she is pained to witness her government fall, Rafei’s gorgeous book is at once transporting and recognizable, both shocking and meditative, and replete with insight into how our dreams for our own lives are often mirrored in our dreams for the places we love.”
— Stephanie Jimenez, author of They Could Have Named Her Anything
“Three characters grapple with ghosts from their pasts and their uncertain futures in this engrossing debut.”
— Buzzfeed
“Rafei dramatizes the Egyptian Revolution of 2011 in her vivid debut ... Throughout, Rafei provides authentic details of local cuisine, vintage pop music, clothing, and the roar of the crowd ... Readers will hope to see more from this talented author.”
— Publishers Weekly
“Closely observed, Spring follows the overlapping lives of people living in Cairo in very different ways during the January 25 Revolution. It captures the uncertainty of that singular period in which the world seemed to change completely while life simultaneously went on in much the same mundane ways. The drama and melodrama of everyday life in Cairo in the midst of the disruption is captured in the lives of Jamila, Ali, Rose, and Suad, who see and negotiate the meaning of the social upheaval in radically different ways. Above all, Spring captures the way in which everyone living in Cairo, regardless of their nationality, suddenly found themselves in a new world (that nonetheless looked a lot like the old one).’”
